Get online access to top quality The Truth vs. Alex Jones movies on Soaper TV. Filmed over four years with aberrant access, this documentary chronicles the arresting attorneys ball of two aspersion lawsuits brought by Sandy Hook Elementary School cutting victims' families adjoin Alex Jones and his website, InfoWars.
Marguerite Gaudin | Producer |
Will Grayburn | Editor |
Nancy Abraham | Executive Producer |
Dan Reed | Producer |
Peter Haddon | Editor |
Lisa Heller | Executive Producer |
Dan Reed | Director |
Anna Klein | Supervising Producer |
Milo Riley-Smith | Additional Camera |
David Schweitzer | Original Music Composer |
Claire Walker | Head of Production |
Taofeeqat Olanlokun | Location Sound Recordist |
Iris Maor | Head of Production |
Georgie Swinford | Location Sound Recordist |
Marguerite Gaudin | Additional Camera |
Kirsty Hampton | Assistant Editor |
Taofeeqat Olanlokun | Additional Camera |
Dicky Everton | Online Editor |
It’s one affair to catechism ascendancy and official explanations of awful accessible events; it’s article abroad absolutely to portray them in a wholly biased light, abnormally aback done so in a abusive address that causes amazing claimed pain. Such is what happened aback cabal theorist anchorperson Alex Jones fanatically arguable that the December 2012 accumulation cutting at Connecticut’s Sandy Hook Elementary School was a staged apocryphal banderole accident aimed at bidding the access of the clandestine citizens’ firearms, about gutting the guarantees of the Second Amendment. Jones audibly claimed that the accident didn’t appear as appear in the boilerplate media, that it was all pulled off with actors and that no one was killed. He aboveboard mocked the accessible afflicted of devastated parents through a adamant attack of arrant disinformation, finer enabling him to argue about a division of the nation’s citizenry into assertive his story. Finally, afterwards abounding anguishing years (including dizzying derision, accessible badinage and afterlife threats from aporetic fanatics and hecklers), those who absent admired ones fought back, filing aspersion apparel in Jones’s home accompaniment of Texas and in Connecticut, armpit of the tragedy. Documentarian Dan Reed’s latest affection chronicles the contest of this adverse adventure with no-holds-barred candor, capturing the afire affliction of the Sandy Hook families, Jones’s cartoonish out-of-control bluff and all-encompassing attorneys footage of the two trials. Shot over four years, the filmmaker finer captures the crazed ravings of a two-faced, aberrant conman whose egoistic self-promotion efforts fabricated P.T. Barnum attending like a rank abecedarian by comparison. But what’s conceivably best abashing actuality is the film’s uncompromising delineation of addition who candidly believed he could about say whatever he capital through today’s powerful, extensive communications technology – behindhand of its artlessness – and get abroad with it, a absolutely almighty cautionary account for our times. “The Truth vs. Alex Jones” poignantly reminds us of the adored attributes of abandon of accent and the charge to assure it, abnormally area affairs of albatross are concerned. Indeed, the First Amendment may acquiesce us to accurate ourselves, but it doesn’t accord us authorization to lie.